From the category archives:

general tips

Mr. Sandman

by Douglas Lichterman

If you fingerpick, you also know that fingernails are always developing rough, cracked or chipped edges. And, if you’re like the Former Me, you just reach for a nail file to deal with them. However, the Current Me has discovered the perfect response to fingernail surface problems: 3M 500-grit sandpaper. The grit is so fine that it feels like velvet to the touch, and it produces a flawlessly smooth surface on your fingernail edges. One place to get it is Strings By Mail (stringsbymail.com/store/index.php?main_page=product_info&products_id=1320), 6 sheets for $4.99.

[photo: Kyknoord]

Emergency fingernail repair

by Douglas Lichterman

If you fingerpick, you know that Murphy’s Law decrees that you’ll break a fingernail right before a performance or recording session. Whenever it happens is always at the worst time. So it’s good to know that if you crack or tear a fingernail and the pieces are still attached, you can easily repair it by painting the nail with heavy-duty glue. My personal choice is Instant Krazy Glue in the brush bottle. If the glue alone doesn’t do the trick, layer a couple of layers of tissue paper and then glue. Looks wild but it works!

[photo: shannonkringen]

Keep it clean

by Douglas Lichterman

Many students ask me which products they should use to clean their acoustic guitars. Some of them have tried commercial guitar cleaning kits or polishes—or even (gasp!) Lemon Pledge. Don’t do it! Polishes build up on the finish of your guitar, dulling the sound of the wood. Instead, simply take a warm, damp cloth and wipe the wood down, and then dry it immediately with a soft, dry cloth. Micro-fiber cloths provide a soft, clean touch for drying. Your finish will look as good as new.

While you’re at it, you can clean those dusty hard-to-reach areas like your tuning head and the area under the strings in front of the bridge with a small (1- to 2-inch), clean, dry paint brush.

[photo: Geishaboy500]

Try this easy practice tool

by Douglas Lichterman

For those about to jam, we salute you.

Playing along with recordings is an effective way to learn new techniques and to try out your musical ideas. It can be annoying, though, to try playing your own lead guitar part right over what the lead guitarist on the recording is playing. Luckily, this problem is neatly solved by playing along with “jam tracks”, which are recordings that purposely leave out the lead guitar and provide just the backing tracks of all the other instruments. [more…]

Okay, I’m the first to admit it—many of the greatest rock guitarists used long straps that positioned their instruments somewhere just above their knees and played with their arms extended straight downwards in ape-like fashion. Think Slash, Keith Richards, Chuck Berry. And that’s why many of the current generation of rockers follow that example. It’s iconic and it looks cool. But, it creates a lot of technical problems. [more…]

I learned this lesson early in life through the experience of a friend. He left his beautiful Martin acoustic guitar in its hard-shell case on his bed with the case unlatched. Then his mother decided to move the guitar.  When she picked up the case by its handle, the top flew open and the guitar fell out and smashed into the case top, destroying the exquisite spruce face of the instrument.

The moral of this story? Make it a habit to close at least one latch each and every time you put your guitar in its case. Even if you’re only leaving it in there for a minute. While you’d think this would be obvious to all guitar players, especially longtime professionals, it’s not always. Recently, I saw a musician pick up his case after finishing an outdoor performance—only to see his Ovation acoustic 12-string come tumbling out of its case and crashing onto the pavement. Ouch!

I started out playing acoustic guitars with the standard medium-gauge bronze strings and got used to the stiff feeling of them. But when I started playing electric guitar with light-gauge strings I loved the lighter touch and the bend-ability they provided. [more…]

As a guitar instructor, I’m often asked to help students shop for new instruments, and in shopping for them a great entry-level guitar has caught my eye—the Ibanez ART100 Artist.

This solid body guitar sells for $299, but it looks and plays like an instrument that would cost twice as much. It has an attractive single-cutaway contoured body that’s comfortable to play. The first one I saw had the transparent cherry finish, which is gorgeous.  But, it also comes in white, black and gold finishes. The chrome hardware is [more…]